TOGI

Interview with

A Masterclass Storyteller

Vessel: To start, could you introduce yourself to our readers and share a little about who you are?

Togi: I was born and raised in Mongolia and moved to the U.S. at 18. As an immigrant, I had to navigate a new language, culture, and way of life on my own. It wasn’t easy, but I’ve always embraced challenges.

Today, I run my own studio, Third Place Studio, near downtown Salt Lake City, while also working full-time as the Lifestyle Lead Photographer for Kizik, a hands-free shoe brand based in Lindon, Utah. Over the years, I’ve learned that taking risks and investing in your passion are the keys to moving forward.

Vessel: When did you first discover your passion for art, and what led you to choose photography as your primary medium?

Togi: I’ve always been drawn to visual storytelling. As a child, I was captivated by filmmakers like Spielberg, Peter Jackson, Fincher, and Tarantino—completely fascinated by how they built entire worlds through the lens. Deep down, I knew I wanted to be part of that creative process, but at the time, I had no idea how to make it happen. The film industry felt out of reach due to language barriers, lack of connections, and financial limitations.

Photography became my way of storytelling. It allowed me to create without the complexities of film production while still giving me full control over my craft. The more I immersed myself in it, the more I realized this was what I wanted to do.

Vessel: Can you tell us about the beginning of your photography journey? What inspired you to pursue this path?

Togi: My first camera came from a giveaway in a children’s newspaper when I was a teenager. It was a simple film camera—probably not the best quality—but at the time, it felt like a treasure. I carried it everywhere.

I didn’t take photography seriously until 2018. I started by helping friends style outfits and taking portraits just for fun. I still remember the excitement whenever a photo turned out better than expected—I loved the process, the results, and the way people reacted to the images.

Eventually, I knew I had to push myself further. I left my stable full-time job, invested in a professional camera, and started building a portfolio. Taking a leap of faith, I became a full-time freelancer. It was a risk, but in the end, it was the best decision I ever made.

Vessel: Before becoming a photographer, what career path were you on? Did you enjoy it, or did you always know photography was your true calling?

Togi: I earned a degree in hotel business management, thinking I would build a career in tourism. At the time, it seemed like a promising field—I loved the idea of traveling, meeting new people, and taking on a leadership role.

But over time, I realized that a structured career path didn’t excite me. I wanted to create something of my own—something personal and fulfilling. Photography gave me that opportunity.

That being said, I don’t regret my background in hospitality. It taught me invaluable skills, especially in communication and understanding people, which I apply to my work every day.

Vessel: What motivated you to establish your own studio, Third Place Studio? How has this decision contributed to the growth and success of your business?

Togi: I wanted a space where I could create freely, without limitations. Having my own studio has completely transformed the way I work. It has given me the freedom to bring my creative ideas to life, collaborate with other talented professionals, and build an environment that fosters ambition and growth.

The people who come to Third Place Studio take their craft seriously. They’re here to create, push boundaries, and refine their skills. That kind of energy is inspiring, and I feel fortunate to be surrounded by it every day.

Vessel: How would you define your photography style? Are there particular elements that make your work distinct?

Togi: I don’t believe in limiting myself to a single style. I enjoy experimenting—if something excites me, I pursue it.

That said, I’ve always been drawn to cinematic aesthetics. In the early days of my career, that was my main focus, and it still heavily influences my work. Over time, I’ve also been inspired by Jack Bridgland’s bold, striking visuals, and lately, Elizaveta Porodina’s artistic approach has captivated me.

Lighting has become one of my most important tools. It’s not just about illuminating a subject—it’s about setting a mood, shaping a character, and telling a story.

To read the full interview with Togi, Get your copy of this issue in print or digital format.